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I'm afraid of only two things: being lazy and being cowardly.

David Mamet

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David Mamet
Age: 76
Born: 1947
Born: November 30
Actor
Author
Film Director
Film Producer
Novelist
Playwright
Poet
Screenwriter
Television Producer
Theatrical Director
Writer
Chicago
Illinois
David Alen Mamet
David Alan Mamet
Cowardly
Lazy
Afraid
Two
Things

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As you all know first prize is a Cadillac El Dorado. Anyone wanna see second prize? Second prize is a set of steak knives. Third prize is you're fired.
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The mind is a mill which can incessant turn, 'til its mere operation focus the stress inward and the stones grind themselves to dust.
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Encounter: Doubt, Shame, Humiliation. It will finally be worth it. Acting is more about courage than anything else.
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My idea of perfect happiness is a healthy family, peace between nations, and all the critics die.
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One can read all one wants, and spend eternities in front of a blackboard with a tutor, but one is not going to learn to swim until one gets in the water.
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Fun is what you do for yourself. If somebody else does it, it's entertainment.
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I tend to write a lot, which I think is the secret to being prolific.
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Movies were never an art form, they were entertainment. It just evolved into an art form from there, and it's still evolving in different ways.
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Policemen so cherish their status as keepers of the peace and protectors of the public that they have occasionally been known to beat to death those citizens or groups who question that status.
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Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting f***ed.
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I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
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You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
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We live in oppressive times. We have, as a nation, become our own thought police but instead of calling the process by which we limit our expression of dissent and wonder ‘censorship,’ we call it ‘concern for commercial viability.
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Old age and treachery will always beat youth and exuberance.
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Being a writer in Hollywood is like going to Hitler's Eagle Nest with a great idea for a bar mitzvah.
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You can't rely on the acting to tell the story.
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Characters on stage, like people in what we refer to as real life, do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
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We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.
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The great movie can be as free of being a record of the progress of the protagonist as is a dream.
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I understand that computers, which I once believed to be but a hermaphrodite typewriter-cum-filing cabinet, offer the cyber literate increased ability to communicate. I do not think this is altogether a bad thing, however it may appear on the surface.
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