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It’s better not to know so much about what things mean or how they might be interpreted or you’ll be too afraid to let things keep happening.

David Lynch

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David Lynch
Age: 78
Born: 1946
Born: January 20
Actor
Animator
Composer
Film Actor
Film Director
Film Editor
Film Producer
Lyricist
Musician
Painter
Photographer
Recording Artist
Missoula
Montana
David Keith Lynch
Might
Mean
Much
Interpreted
Things
Happenings
Happening
Afraid
Keep
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I love industry. Pipes. I love fluid and smoke. I love man-made things. I like to see people hard at work, and I like to see sludge and man-made waste.
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Every teacher of Transcendental Meditation is a hero.
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I didn't watch much TV as a kid and I don' t watch it now. I don' t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can't do in film is make a continuing story - which is so cool!
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Negativity is the enemy of creativity.
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I didn't really grow up listening to blues, because I grew up in the Northwest. It wasn't really the center for blues.
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Someday, hopefully very soon, 'diving within' as a preparation for learning and as a tool for developing the creative potential of the mind will be a standard part of every school’s curriculum.
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The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience.
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I'm lost in a transition. The old is dead, and I don't know what the new is. The only way to find the new is to start different things and see if there's something that can come out of experimentation. It's somewhat unsettling, but it's a hopeful thing in a way. I've been here before, lots of times.
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I have been 'diving within' through the Transcendental Meditation technique for over 30 years. It has changed my life, my world. I am not alone. Millions of other people of all ages, religions, and walks of life practice the technique and enjoy incredible benefits.
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Humor is very interesting to me. My films are not comedies, but there's comedy in them from time to time, absurdities, just like in real life.
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I like making films because I like to go into another world. I like to get lost into another world.
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In my mind it's so much fun to have something that has clues and is mysterious - something that is understood intuitively rather than just being spoon-fed to you. That's the beauty of cinema, and it's hardly ever even tried. These days, most films are pretty easily understood, and so people's minds stop working.
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When you get an idea and you fall in love with it there's not a whole lot of choice. You're going down a street and you meet this girl and you know it doesn't have to make any sense. Bingo! You're in love.
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Unfortunately, my ideas are not what you'd call commercial, and money really drives the boat these days. So I don't know what my future is. I don't have a clue what I'm going to be able to do in the world of cinema.
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Every time I hear sounds, I see pictures. Then, I start getting ideas. It just drives me crazy
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There is an ocean of creativity within every human being.
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It's a simple thing he [Frank Daniel] taught me. If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70, you have a feature film.
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Consciousness-Based Education is just plugging us all into the beautiful, eternal field within, and then watching things get better, which is what happens. It's a field of infinite, unbounded peace within every human being, and when you experience it, you enliven that peace.
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Sometimes film kills the room to dream.
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You need contrast and conflict in order to tell a story. Stories need to have dark and light, turmoil, all those things. But that does not mean the filmmaker has to suffer in order to show the suffering. Stories should have the suffering, not the people.
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