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I love industry. Pipes. I love fluid and smoke. I love man-made things. I like to see people hard at work, and I like to see sludge and man-made waste.

David Lynch

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David Lynch
Age: 78
Born: 1946
Born: January 20
Actor
Animator
Composer
Film Actor
Film Director
Film Editor
Film Producer
Lyricist
Musician
Painter
Photographer
Recording Artist
Missoula
Montana
David Keith Lynch
Made
Pipes
Things
Pipe
Men
Fluid
Love
Smoke
Like
Waste
People
Industry
Hard
Work
Sludge

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Life is very, very complicated, and so films should be allowed to be, too.
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I have been 'diving within' through the Transcendental Meditation technique for over 30 years. It has changed my life, my world. I am not alone. Millions of other people of all ages, religions, and walks of life practice the technique and enjoy incredible benefits.
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The great coming to age of cable is really a beautiful thing. No commercials. It's like a small theater. It's a cinema on a TV screen.
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I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force - a wild pain and decay - also accompanies everything.
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Script is not finished until it's finished. There's many times, partway through a film, when an idea comes, and I say, How beautiful this is. This thing was not complete and look what's happened, look what's come along. And it just came along at what might be called a strange time rather than a normal time.
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The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience.
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The side effect of expanding consciousness is that negativity starts to evaporate it goes away like darkness when you turn on a light.
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Man is evolving...but it's difficult to see his progress with a Western perception of time. The Hindus think of time in much larger segments. They watch the hour hand of the clock while we in the West are preoccupied with the second hand.
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Freedom. It's like no constraints, an opening, and then barriers going away and lifting and breaking and experimentation and...it's like attempting for something.
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I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.
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Consciousness-based education, which I am helping to promote, is basically the same education that good schools are giving today with Transcendental Meditation added for the students, teachers, staff, and principal.
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Sugar does make people happy, but then you fall off the edge after a few minutes, so I've really pretty much cut it out of my diet. Except for cupcakes. I like those.
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See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
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The more you meditate the better life gets.
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Transcendental Meditation is not a religion, it's not against any religion, it's for human beings, no matter what color, what religion, what walk of life. If you're a human being, it will work for you. And you will be very glad you found this technique and took advantage of it.
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I think true love is not only true personal love but totality of love, universal love - to be in love with everything manifest and everything unmanifest.
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Unfortunately, my ideas are not what you'd call commercial, and money really drives the boat these days. So I don't know what my future is. I don't have a clue what I'm going to be able to do in the world of cinema.
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I love child things because there's so much mystery when you're a child.
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I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
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Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on.
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