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But I want to feel like life matters. I had something real with you, but then the realness scared me. I decided to go for other things instead.

David Levithan

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David Levithan
Age: 52
Born: 1972
Born: September 7
Author
Novelist
Writer
Short Hills
New Jersey
Real
Realness
Something
Scared
Things
Matters
Life
Decided
Like
Instead
Matter
Feel
Feels

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Tell me a way you think this can work. We'll find a way, I tell her. That's not an answer. It's a hope. Hope's gotten us this far. Not answers.
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I don’t like it when you use my shampoo, because then your hair smells like me, not you.
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I'll see you later, he says, and as he does, he runs his finger briefly over my wrist. It passes over me like air, and makes me shiver like a kiss.
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But the thing about a cry for help is that someone else needs to be around to hear it.
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So what do you have to confess now? I don't know why I'm saying any of this, except that is the truth. I'm confessing that I don't know if I'm ready for this. What is 'this'? Being open. Being hurt. Liking. Not being liked. Seeing the flicker on. Seeing the flicker off. Leaping. Falling. Crashing.
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I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
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The important thing is for the characters to feel real, and to be given the humanity they are due. That granting of humanity is what separates a full portrait from a stereotype.
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This is what a memorial is: standing still, staring at something that isn’t ther
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It is its own form of conversation -- you can learn a lot about people from the stories they tell, but you can also know them from the way they sing along, whether they like the windows up or down, if they live by the map or by the world, if they feel the pull of the ocean.
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Sorry to be so cynical, but this is New York
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We'd said we'd keep in touch. But touch is not something you can keep as soon as it's gone, it's gone. We should have said we'd keep in words, because they are all we can string between us--words on a telephone line, words appearing on a screen.
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The way you're singing in your sleep The way you look before you leap The strange illusions that you keep You don't know But I'm noticing The way your touch turns into arcs The way you slide into the dark The beating of my open heart You don't know But I'm noticing
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me giving my mom romantic advice is kind of like a goldfish giving a snail advice on how to fly.” -Will Grayson (pg. 66)
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If smart people are parodying it, that's a sure sign that some less smart people are believing it.
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I don't want to fall. All I want to do is stand on solid ground.
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There's no way to release yourself from a memory. It ends when it wants to end, whether it's in a flash or long after you've begged it to stop.
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Maybe that's what history is, you go from one I can't believe it the next. And sometimes the I can't believe its are good, and sometimes they're bad. But the sum total of positive ones always outweighs the negative ones.
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You will always be my always.
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People say that time slips through our fingers like sand. What they don't acknowledge is that some of the sand sticks to the skin. These are memories that will remain, memories of the time when there was still time left.
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