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luckily, tiny texts me every five minutes or so. i don't know how he does it without getting caught in class. maybe he hides the phone in the folds of his stomach or something.

David Levithan

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David Levithan
Age: 52
Born: 1972
Born: September 7
Author
Novelist
Writer
Short Hills
New Jersey
Without
Tiny
Every
Caught
Luckily
Something
Minutes
Texts
Maybe
Hides
Class
Folds
Five
Stomach
Getting
Phone
Doe
Phones

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You can't know what it is like for us now--you will always be one step behind. Be thankful for that. You can't know what it was like for us then--you will always be one step ahead. Be thankful for that, too.
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I'm a firm believer that every person, young or old, has at least one good story to tell.
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me: you know what sucks about love? o.w.g.: what? me: that it's so tied to the truth.
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Be careful what you're doing, because no one is ever who you want them to be.
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I want to know why this is such a part of me. I want to know why this thing that happened to other people has happened so much to me. I keep looking for the lesson.
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But we comforted ourselves with what we really meant to say, which was: I don't normally feel this good about what I'm doing. Measure the hope of that moment, that feeling. Everything else will be measured against it.
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He has no idea how beautiful the ordinary becomes once it disappears.
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tiny: but there is the word, this word phil wrayson taught me once: weltschmerz. it's the depression you feel when the world as it is does not line up with the world as you think it should be. i live in a big goddamned weltzschermz ocean, you know? and so do you.
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I've worn black today, because I've heard so often that it's supposed to be slimming. But instead I am this sphere of darkness submarining through the halls.
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Our moments are music, and sometimes – just sometimes – we can catch them and put them into some lasting form. If we didn’t have music, I don’t think we could ever be truly happy, and if we didn’t have special moments, we would never find music.
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It's like you're a character in this book that everyone around you is writing, and suddenly you have to say, 'I'm sorry, but this role isn't right for me'. And you have to start writing your own life and doing your own thing.
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We found out a long time ago that we weren’t meant to fall in love with each other. But a part of me still fell in hope with him.
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The important thing is for the characters to feel real, and to be given the humanity they are due. That granting of humanity is what separates a full portrait from a stereotype.
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I don't want to fall. All I want to do is stand on solid ground.
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I can't pretend to know what love is. It just is.
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Eventually she fell asleep, but I kept the phone against my ear, lulled by her breathing, and her breathing again in the background. And yes, it felt like home. Like everything belonged exactly where it was.
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