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It is not contrary to reason to prefer the destruction of the whole world to the scratching of my finger.

David Hume

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David Hume
Age: 65 †
Born: 1711
Born: April 26
Died: 1776
Died: August 25
Economist
Essayist
Historian
Librarian
Philosopher
Writer
Edinburgh
Scotland
David Home
Hume
Whole
Scratching
World
Finger
Prefer
Philosophical
Contrary
Fingers
Destruction
Reason

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An infinite number of real parts of time, passing in succession, and exhausted one after another, appears so evident a contradiction, that no man, one should think, whose judgement is not corrupted, instead of being improved, by the sciences, would ever be able to admit of it.
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A propensity to hope and joy is real riches one to fear and sorrow real poverty.
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If God is omnipotent, omniscient and wholly good, whence evil? If God wills to prevent evil but cannot, then He is not omnipotent. If He can prevent evil but does not, then he is not good. In either case he is not God.
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The Christian religion not only was at first attended with miracles, but even at this day cannot be believed by any reasonable person without one.
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The greater part of mankind may be divided into two classes that of shallow thinkers who fall short of the truth and that of abstruse thinkers who go beyond it.
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That the corruption of the best thing produces the worst, is grown into a maxim, and is commonly proved, among other instances, by the pernicious effects of superstition and enthusiasm, the corruptions of true religion.
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Among the arts of conversation no one pleases more than mutual deference or civility, which leads us to resign our own inclinations to those of our companions, and to curb and conceal that presumption and arrogance so natural to the human mind.
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That the sun will not rise tomorrow is no less intelligible a proposition, and implies no more contradiction, than the affirmation, that it will rise.
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A miracle is a violation of the laws of nature and as a firm and unalterable experience has established these laws, the proof against a miracle, from the very nature of the fact, is as entire as any argument from experience can possibly be imagined.
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The end of all moral speculations is to teach us our duty and, by proper representations of the deformity of vice and beauty of virtue, beget correspondent habits, and engage us to avoid the one, and embrace the other.
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Morals excite passions, and produce or prevent actions. Reason of itself is utterly impotent in this particular. The rules of morality, therefore, are not conclusions of our reason.
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...virtue is attended by more peace of mind than vice, and meets with a more favourable reception from the world. I am sensible, that, according to the past experience of mankind, friendship is the chief joy of human life and moderation the only source of tranquillity and happiness.
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Fine writing, according to Mr. Addison, consists of sentiments which are natural without being obvious.
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If the religious spirit be ever mentioned in any historical narration, we are sure to meet afterwards with a detail of the miseries which attend it. And no period of time can be happier or more prosperous, than those in which it is never regarded or heard of.
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Enthusiasm, being the infirmity of bold and ambitious tempers, is naturally accompanied with a spirit of liberty as superstition,on the contrary, renders men tame and abject, and fits them for slavery.
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The consequence of a very free commerce between the sexes, and of their living much together, will often terminate in intrigues and gallantry.
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In all the events of life, we ought still to preserve our scepticism. If we believe that fire warms, or water refreshes, it is only because it costs us too much pains to think otherwise.
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Beauty, whether moral or natural, is felt, more properly than perceived.
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[Rousseau] has not had the precaution to throw any veil over his sentiments and as he scorns to dissemble his contempt of established opinions, he could not wonder that all the zealots were in arms against him.
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Every movement of the theater by a skilful poet is communicated, as it were, by magic, to the spectators who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions which actuate the several personages of the drama.
David Hume