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I never work with music. I hate background music, always did. I only like music in the foreground, meaning, deliberately listen to it, actually.
David Hockney
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David Hockney
Age: 87
Born: 1937
Born: July 9
Collagist
Draftsperson
Drawer
Graphic Artist
Illustrator
Lithographer
Painter
Photographer
Printmaker
Scenographer
Sculptor
Bradford
Yorkshire
Listen
Actually
Hate
Foreground
Music
Deliberately
Work
Background
Always
Backgrounds
Never
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Meaning
More quotes by David Hockney
You must plan to be spontaneous.
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Smoking calms me down. It's enjoyable. I don't want politicians deciding what is exciting in my life.
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OH, I LIKE smoking, I do. I smoke for my health, my mental health. Tobacco gives you little pauses, a rest from life. I don't suppose anyone smoking a pipe would have road rage, would they?
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I do believe that painting can change the world.
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In fact, I'm a bit of a slob, but I've always said my excuse, I have a higher sense of order, I can see it where others can't. That's my excuse for slobbery, I must admit, but I think it's a good one.
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Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
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Always live in the ugliest house on the street - then you don't have to look at it.
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It is very good advice to believe only what an artist does, rather than what he says about his work.
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As for the world of fashion and celebrity, I have the usual interest in the human comedy, but the problems of depiction absorb me more.
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Enjoyment of the landscape is a thrill.
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All film directors, even the ones using 3-D today, want you to look at what they chose.
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I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.
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I have always believed that art should be a deep pleasure. I think there is a contradiction in an art of total despair, because the very fact that the art is made seems to contradict despair.
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I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
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I was aware that the teaching of drawing was being stopped almost 30 years ago. And I always said, 'The teaching of drawing is the teaching of looking.' A lot of people don't look very hard.
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Most artists work all the time, they do actually, especially good artists, they work all the time, what else is there to do? I mean you do.
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It's no good saying I wished I could go out more, because I can't. But I don't bother about it too much.
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I avoid the public because the English public is too aggressive these days for me.
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...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.
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I'm very attracted to the great open spaces of the West.
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