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I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.

David Hockney

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David Hockney
Age: 87
Born: 1937
Born: July 9
Collagist
Draftsperson
Drawer
Graphic Artist
Illustrator
Lithographer
Painter
Photographer
Printmaker
Scenographer
Sculptor
Bradford
Yorkshire
Find
Excitement
Many
Admit
Make
Paint
Would
Rain
Life
Watching
People
Exciting
Puddle
Rich
Puddles
Sure
Thrilling

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...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.
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I'm a bit claustrophobic, I know that now.
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Any artist will tell you he's really only interested in the stuff he's doing now. He will, always. It's true, and it should be like that.
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It's no good saying I wished I could go out more, because I can't. But I don't bother about it too much.
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I'm very attracted to the great open spaces of the West.
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Water in swimming pools changes its look more than in any other form its colour can be man-made and its dancing rhythms reflect not only the sky but, because of its transparency, the depth of the water as well. If the water surface is almost still and there is a strong sun, then dancing lines with the colours of the spectrum appear everywhere.
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The pictures on the walls aren't like movies. They don't move, they don't talk, and they'll last longer. They will last longer.
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I think cubism has not fully been developed. It is treated like a style, pigeonholed and that's it.
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There's no need to believe what an artist says. Believe what he does that's what counts.
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But slowly I began to use cameras and then think about what it was that was going on. It took me a long time, I mean I actually played with cameras and photography for about 20 years.
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I mean if you draw you like drawing, it's er, an activity you do all the time actually.
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In my old age, I'll be in L.A.
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Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
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All art is contemporary, if it's alive, and if it's not alive, what's the point of it?
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Anything simple always interests me.
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When you are older, you realise that everything else is just nothing compared to painting and drawing.
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I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.
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But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.
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I've always been interested in space in pictures. I think my going deaf increased my spatial sense, because I can't get the direction of sound. I feel that I see space very clearly, and that's because I can't hear it. So it's a compensatory thing.
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I never talk when I'm drawing a person, especially if I'm making line drawings. I prefer there to be no noise at all so I can concentrate more.
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