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All film directors, even the ones using 3-D today, want you to look at what they chose.

David Hockney

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David Hockney
Age: 87
Born: 1937
Born: July 9
Collagist
Draftsperson
Drawer
Graphic Artist
Illustrator
Lithographer
Painter
Photographer
Printmaker
Scenographer
Sculptor
Bradford
Yorkshire
Look
Looks
Even
Chose
Using
Directors
Ones
Film
Today

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There would be no bohemia without smoking.
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What I didn't know was I was deeply attracted to the big space.
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Smoking calms me down. It's enjoyable. I don't want politicians deciding what is exciting in my life.
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The vanishing point leads to the missiles of today, which can take us out of this world. It could be that the west's greatest mistakes were the 'invention' of the external vanishing point and the internal combustion engine.
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What I always longed to do was to be able to paint like I can draw, most artists would tell you that, they would all like to paint like they can draw.
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The pictures on the walls aren't like movies. They don't move, they don't talk, and they'll last longer. They will last longer.
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I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
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I'm not going to stop painting just to take orders.
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...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.
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The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be.
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Faces are the most interesting things we see other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is the face. It tells all.
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When you're very young, you suddenly find this marvellous freedom. It's quite exciting, and you're prepared to do anything.
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It is difficult to say why I decided I wanted to be an artist. Obviously, I had some facility, more than other people, but sometimes facility comes because one is more interested in looking at things, examining them, more interested in the visual world than other people are.
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I think we're in a very exciting time - visually, I think we are. I've not got a crystal ball. I'm not saying I know what the future is at all. In some ways I'm getting quite pessimistic about the future, but in other ways I think it might get better. We are moving into very big changes.
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I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.
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If we are to change our world view, images have to change.
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I feel 30. [Publo] Picasso said he always felt 30. Well, I do.
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I'm fed up with being bossed around.
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No one has ever asked to see my degree certificate.
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I'm sure that the camera is part of European art.
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