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Are we simply waving farewell to the days when some of the most interesting thinking in Europe and America came to us from our fiction film-makers? BBC2, which once introduced and showed great films, now shows none.

David Hare

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David Hare
Age: 77
Born: 1947
Born: June 5
Actor
Film Director
Film Producer
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
St Leonards
East Sussex
Sir David Hare
Thinking
Simply
Introduced
Days
Farewell
Came
Showed
Interesting
Makers
Shows
None
Film
Films
America
Europe
Great
Fiction
Waving

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Purity is the feminine, truth the masculine of honor.
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An inability to handle language is not the same thing as stupidity.
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One of the depressing things in England is the total orthodoxy: the law is handed down from Downing Street.
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The future of American film lies on television.
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No one but a fool is always right.
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One of the things I find about getting older is that I seem to get louder, more voluble that I constantly have to walk around repressing my vitality.
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Insofar as I'm good at directing, it's because I've become a writer.
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Thought is the wind and knowledge the sail.
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As you write plays, you discover what you believe. And until you know what you believe, you can't write a play.
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I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
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If you kill a character people feel sad. That's too easy.
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My father always said 'There's no free lunch.' My father was right. There's no free lunch and there's no free market. The market is rigged, the market is always rigged, and the rigging is in favour of the people who run the market. That's what the market is. It's a bent casino. The house always wins.
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I think the novel is the American form because people read it in private, and the only valuable things that happen in America happen in private life, because public life is a dead loss.
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I don't see the theater as an establishment. The National Theatre has always seemed to me a people's theater. It was never meant to reinforce the values of the government of the day, nor does it, nor should it.
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Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
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Smiles are the language of love.
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Weak minds sink under prosperity as well as adversity but strong and deep ones have two high tides.
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Never take advice from anyone with no investment in the outcome.
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Writers always sound insufferably smug when they sit back and assert that their job is only to ask questions and not to answer them. But, in good part, it is true. And once you become committed to one particular answer, your freedom to ask new questions is seriously impaired.
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[David] Mamet's the writer I admire most but he's way off from when he tries to talk about what the moral appeal of liberal thought is. His heart is not in it.
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