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I think the novel is the American form because people read it in private, and the only valuable things that happen in America happen in private life, because public life is a dead loss.

David Hare

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David Hare
Age: 77
Born: 1947
Born: June 5
Actor
Film Director
Film Producer
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
St Leonards
East Sussex
Sir David Hare
Thinking
Public
Life
American
People
Read
Valuable
Happens
Private
Form
Loss
America
Novel
Things
Dead
Think
Happen

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Poetry is the key to the hieroglyphics of nature.
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Via Dolorosa is the only thing I have ever acted in my life, professionally, and Ill never act again.
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Insofar as I'm good at directing, it's because I've become a writer.
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I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
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Never take advice from anyone with no investment in the outcome.
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The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.
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Smiles are the language of love.
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An inability to handle language is not the same thing as stupidity.
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I'm vey bad at marshaling arguments. I can't, at a dinner party, explain why I'm a socialist and why others should be socialists as well.
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I actually think love changes everything. I think it's the only thing worth having.
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In oratory the will must predominate.
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Weak minds sink under prosperity as well as adversity but strong and deep ones have two high tides.
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Purity is the feminine, truth the masculine of honor.
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The future of American film lies on television.
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Writers always sound insufferably smug when they sit back and assert that their job is only to ask questions and not to answer them. But, in good part, it is true. And once you become committed to one particular answer, your freedom to ask new questions is seriously impaired.
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What politicians want and what creative writers want will always be profoundly different, because I'm afraid all politicians, of whatever hue, want propaganda, and writers want the truth, and they're not compatible.
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Thought is the wind and knowledge the sail.
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One of the things I find about getting older is that I seem to get louder, more voluble that I constantly have to walk around repressing my vitality.
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Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
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In those days, the early 1980s, TV and film were interchangeable.
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