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In oratory the will must predominate.

David Hare

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David Hare
Age: 77
Born: 1947
Born: June 5
Actor
Film Director
Film Producer
Playwright
Screenwriter
Television Director
Theatrical Director
Writer
St Leonards
East Sussex
Sir David Hare
Predominate
Oratory
Willpower
Must

More quotes by David Hare

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Smiles are the language of love.
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Via Dolorosa is the only thing I have ever acted in my life, professionally, and Ill never act again.
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An inability to handle language is not the same thing as stupidity.
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Are we simply waving farewell to the days when some of the most interesting thinking in Europe and America came to us from our fiction film-makers? BBC2, which once introduced and showed great films, now shows none.
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As you write plays, you discover what you believe. And until you know what you believe, you can't write a play.
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Never take advice from anyone with no investment in the outcome.
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Insofar as I'm good at directing, it's because I've become a writer.
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The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.
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I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
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My father always said 'There's no free lunch.' My father was right. There's no free lunch and there's no free market. The market is rigged, the market is always rigged, and the rigging is in favour of the people who run the market. That's what the market is. It's a bent casino. The house always wins.
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I actually think love changes everything. I think it's the only thing worth having.
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I'm vey bad at marshaling arguments. I can't, at a dinner party, explain why I'm a socialist and why others should be socialists as well.
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Poetry is the key to the hieroglyphics of nature.
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One of the depressing things in England is the total orthodoxy: the law is handed down from Downing Street.
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I don't see the theater as an establishment. The National Theatre has always seemed to me a people's theater. It was never meant to reinforce the values of the government of the day, nor does it, nor should it.
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Writers always sound insufferably smug when they sit back and assert that their job is only to ask questions and not to answer them. But, in good part, it is true. And once you become committed to one particular answer, your freedom to ask new questions is seriously impaired.
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In those days, the early 1980s, TV and film were interchangeable.
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Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
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Purity is the feminine, truth the masculine of honor.
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The future of American film lies on television.
David Hare