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Cities produce in me melancholy or a tension I don't need.

David Guterson

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David Guterson
Age: 68
Born: 1956
Born: May 4
Journalist
Novelist
Screenwriter
Writer
Seattle
Washington
Produce
Cities
Need
Needs
Melancholy
Tension

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My book is traditional. It runs counter to the post-modern spirit.
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What sustains me is to be with my family and to write.
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I grew up in Seattle, but I always knew I wanted to leave.
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Post-modernism is dead because it didn't address human needs.
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We should recognize that schools will never solve the bedrock problems of education because the problems are problems of families, of cultural pressures that the schools reflect and thus cannot really remedy.
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None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.
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You should learn to say nothing that will cause you regret. You should not say what is not in your heart - or what is only in your heart for a moment. But you know this - silence is better.
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Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.
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When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.
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He didn't like very many people any more, or very many things either. He preferred not to be this way, but there it was, he was like that. His cynicism, a veteran's cynicism, was a thing that disturbed him all the time.
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The status quo was rote memorization and recitation in classrooms thronged with passive children who were sternly disciplined when they expressed individual needs.
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Fiction is socially meaningful.
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accident ruled every corner of the universe except the chambers of the human heart.
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How could they say that they truly loved each other? They had simply grown up together, been children together, and the proximity of it, the closeness of it, had produced in them love s illusion. And yet - on the other hand - what was love if it wasn't this instinct she felt.
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To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher reality of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.
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I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.
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The best advice on writing I've ever received is to take it seriously, because to do it well is all-consuming.
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I often heard about his cases and I often sat in on his trials. In the late 1960s when I was growing up I wanted to be a crusader like him but I didn't want to wear a suit and commute.
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