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When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.

David Guterson

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David Guterson
Age: 68
Born: 1956
Born: May 4
Journalist
Novelist
Screenwriter
Writer
Seattle
Washington
Time
Cases
Cedars
Literature
Falling
Fall
Task
Comes
Snow
Write
Tasks
Next
Case
Book
Certainly
Writing
Afraid
Deathly

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What some people interpret as brooding melancholy is serenity. I don't feel required to grasp all the time.
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How could they say that they truly loved each other? They had simply grown up together, been children together, and the proximity of it, the closeness of it, had produced in them love s illusion. And yet - on the other hand - what was love if it wasn't this instinct she felt.
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Post-modernism is dead because it didn't address human needs.
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None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.
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When I went to college I took a creative writing class and decided in a week to be a writer.
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The best advice on writing I've ever received is to take it seriously, because to do it well is all-consuming.
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I think you have an obligation to share what you know as a writer.
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I grew up in Seattle, but I always knew I wanted to leave.
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You should learn to say nothing that will cause you regret. You should not say what is not in your heart - or what is only in your heart for a moment. But you know this - silence is better.
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To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher reality of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.
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My book is traditional. It runs counter to the post-modern spirit.
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I often heard about his cases and I often sat in on his trials. In the late 1960s when I was growing up I wanted to be a crusader like him but I didn't want to wear a suit and commute.
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At one level you're condemned to the voice you have. But within those confines, you have a certain amount of freedom to range among your possible voices.
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I'm not an urban person.
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We should recognize that schools will never solve the bedrock problems of education because the problems are problems of families, of cultural pressures that the schools reflect and thus cannot really remedy.
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I think of myself as a really happy person.
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That the world was silent and cold and bare and that in this lay its terrible beauty
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The status quo was rote memorization and recitation in classrooms thronged with passive children who were sternly disciplined when they expressed individual needs.
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What sustains me is to be with my family and to write.
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I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.
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