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That the world was silent and cold and bare and that in this lay its terrible beauty

David Guterson

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David Guterson
Age: 68
Born: 1956
Born: May 4
Journalist
Novelist
Screenwriter
Writer
Seattle
Washington
Cold
Beauty
World
Bare
Lays
Silent
Terrible

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Post-modernism is dead because it didn't address human needs.
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I think of myself as a really happy person.
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To deny that there was this dark side of life would be like pretending that the cold of winter was somehow only a temporary illusion, a way station on the way to the higher reality of long, warm, pleasant summers. But summer, it turned out, was no more real than the snow that melted in wintertime.
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What some people interpret as brooding melancholy is serenity. I don't feel required to grasp all the time.
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Fiction is socially meaningful.
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I think you have an obligation to share what you know as a writer.
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What sustains me is to be with my family and to write.
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The status quo was rote memorization and recitation in classrooms thronged with passive children who were sternly disciplined when they expressed individual needs.
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When I went to college I took a creative writing class and decided in a week to be a writer.
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accident ruled every corner of the universe except the chambers of the human heart.
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When it comes time to sit down and write the next book, you're deathly afraid that you're not up to the task. That was certainly the case with me after Snow Falling on Cedars.
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Cities produce in me melancholy or a tension I don't need.
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None of those other things makes a difference. Love is the strongest thing in the world, you know. Nothing can touch it. Nothing comes close. If we love each other we're safe from it all. Love is the biggest thing there is.
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Time made me change. I gradually woke up to the realization that this is who I am, an author, a public figure, and I couldn't just hide in my study, tapping away at the keyboard and pretend that I didn't have a role to play beyond stringing words together.
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I have relaxed into my persona as an author, although I used to fight that.
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I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are.
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At one level you're condemned to the voice you have. But within those confines, you have a certain amount of freedom to range among your possible voices.
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I often heard about his cases and I often sat in on his trials. In the late 1960s when I was growing up I wanted to be a crusader like him but I didn't want to wear a suit and commute.
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We should recognize that schools will never solve the bedrock problems of education because the problems are problems of families, of cultural pressures that the schools reflect and thus cannot really remedy.
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He didn't like very many people any more, or very many things either. He preferred not to be this way, but there it was, he was like that. His cynicism, a veteran's cynicism, was a thing that disturbed him all the time.
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