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Everyone goes to rotten schools when they're kids, don't they?

David Gilmour

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David Gilmour
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I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.
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I remember Adrian [Maben, director] had lots of problems with red tape and dealing with stuff. I think we lost two or three days. Maybe those were the days we had to walk around the summit of Vesuvius, and we went around to the sulfur pits where the ground is bubbling. It's near here. It's fantastic.
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I think once you've seen a song with a video, it limits your own mind's ability to read into it anything other than what you've seen.
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I've been in The Who, I've been in The Beatles and I've been in Pink Floyd! Top that!
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I find it incredibly difficult to write anything that's really happy.
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If people would like to come to my concerts I'd love them to come. And if they like the music that I make, I love that too. But I do not make music for other people. I make it to please myself.
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To be honest, I don't listen to groups, really. Hardly ever. I know I'm in one, but I don't like them very much.
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If you have a live reputation and your popularity is proven that way, then you're bound to get signed up because they see all those people buying those tickets and they think some of those people will buy those records, and that's what their business is primarily about.
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People being incredibly rude and playing music incredibly badly and being incredibly obnoxious has always been a teenage sort of thing.
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The music tends to be an expression of one's darker moments.
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I don't want to be a full-time member of Pink Floyd all my life.
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My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
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The idea of going around to somebody else's flat or house and sitting around in a comfy room and having a really good hi-fi system and listening to a whole album all the way through, then chatting for a few minutes, then maybe putting another album on . . . does that happen today?
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Our music has depth, and attempts philosophical thought and meaning with discussions of infinity, eternity and mortality. There is a line which people cross that turns it into some magical, mystical realm, for which I dont claim responsibility and dont hold any great truck with.
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The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
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I mean, I have moments of huge frustration because of my inability to express myself linguistically as clearly as I would like to.
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It's a very tempting thing to try and relive your glory days when you get a little older and you worry that people have forgotten all about you.
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People in Italy seem to be very capable of singing along with 'Wish You Were Here' perfectly, yet it's hard to get someone in the street who speaks english.
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