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I will probably write an hour a day and spend eight hours a day biting my knuckle and worrying about not writing.
David Foster Wallace
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David Foster Wallace
Age: 45 †
Born: 1962
Born: February 21
Died: 2008
Died: February 12
Author
Essayist
Novelist
University Teacher
Writer
Ithica
New York
David Wallace
Write
Biting
Writing
Worrying
Eight
Hour
Spend
Worry
Probably
Knuckle
Hours
Knuckles
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The man who knows his limitations, has none.
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The assumption that you everyone else is like you. That you are the world. The disease of consumer capitalism. The complacent solipsism.
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You can be shaped, or you can be broken. There is not much in between. Try to learn. Be coachable. Try to learn from everybody, especially those who fail. This is hard. ... How promising you are as a Student of the Game is a function of what you can pay attention to without running away.
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There is such a thing as raw, unalloyed, agendaless kindness.
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What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny little part of it at any given instant.
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There's a grosser irony about Politically Correct English. This is that PCE purports to be the dialect of progressive reform but is in fact - in its Orwellian substitution of the euphemisms of social equality for social equality itself - of vastly more help to conservatives and the US status quo than traditional SNOOT prescriptions ever were.
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The individual's right to pursue his own vision of the best ration of pleasure to pain: utterly sacrosanct.
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If Realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see it.
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Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly.
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The depressed person was in terrible and unceasing pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror.
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Fiction is about what it is to be a human being.
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Quentin Tarantino is interested in watching somebody's ear getting cut off David Lynch is interested in the ear.
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To experience commitment as the loss of options, a type of death, the death of childhood's limitless possibility, of the flattery of choice without duress-this will happen, mark me. Childhood's end.
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I'm screaming for help and everybody's acting as if I'm singing Ethel Merman covers.
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Pleasure becomes a value, a teleological end in itself. It's probably more Western than U.S. per se.
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Mary had a little lamb, its fleece electrostatic / And everywhere Mary went, the lights became erratic.
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