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Look, man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is?
David Foster Wallace
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David Foster Wallace
Age: 45 †
Born: 1962
Born: February 21
Died: 2008
Died: February 12
Author
Essayist
Novelist
University Teacher
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Ithica
New York
David Wallace
Look
Agree
Everything
Ones
Nothing
Fiction
Looks
Stupid
Need
Probably
Needs
Dark
Men
Times
Doe
Dramatize
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I had, by thirteen, developed a sort of Taoist hubris about my ability to control via non-control.
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The reader becomes God, for all textual purposes. I see your eyes glazing over, so I'll hush.
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Learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot or will not exercise this kind of choice in adult life, you will be totally hosed.
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Try to learn to let what is unfair teach you.
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What the really great artists do is they're entirely themselves. They're entirely themselves. They've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.
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Everybody worships. The only choice we get is what to worship.
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The fun of reading as an exchange between consciousnesses, a way for human beings to talk to each other about stuff we can't normally talk about.
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I want to tell you,' the voice on the phone said. 'My head is filled with things to say.' ... 'I don't mind,' Hal said softly. 'I could wait forever.' 'That's what you think,' the voice said. The connection was cut.
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Like most North Americans of his generation, Hal tends to know way less about why he feels certain ways about the objects and pursuits he's devoted to than he does about the objects and pursuits themselves. It's hard to say for sure whether this is even exceptionally bad, this tendency.
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Whatever you get paid attention for is never what you think is most important about yourself.
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There happen to be whole large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration.
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There's a weird kind of paradox that the more expensive the vacation is, the more potentially anxiety-producing it is.
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If Realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see it.
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The truth will set you free. But not until it is finished with you.
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One paradox of professional writing is that books written solely for money and/or acclaim will almost never be good enough to garner either.
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Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly.
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