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Look, man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is?
David Foster Wallace
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David Foster Wallace
Age: 45 †
Born: 1962
Born: February 21
Died: 2008
Died: February 12
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University Teacher
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Ithica
New York
David Wallace
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People, unless they're paying attention, tend to confuse fanciness with intelligence or authority.
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What the really great artists do is they're entirely themselves. They're entirely themselves. They've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.
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We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life outside the story changes the story.
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Fiction, poetry, music...these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.
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...the most obvious, ubiquitous, important realities are often the ones that are hardest to see and talk about.
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Almost anything that you pay close, direct attention to becomes interesting.
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What TV is extremely good at - and realize that this is 'all it does' - is discerning what large numbers of people think they want, and supplying it.
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The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the ‘Oh how banal.’
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The depressed person was in terrible and unceasing pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror.
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What teachers and the administration in that era never seemed to see was that the mental work of what they called daydreaming often required more effort and concentration than it would have taken simply to listen in class. Laziness is not the issue. It is just not the work dictated by the administration.
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There is such a thing as raw, unalloyed, agendaless kindness.
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There is no hatred in my love for you. Only a sadness I feel all the more strongly for my inability to explain or describe it.
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...Genuine pathological openness is about as seductive as Tourette's Syndrome.
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My worst character flaw that I'm conscious of is that I tend to think my way into circles instead of resolving anything. It's paralyzing and boring for people around me.
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If Realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see it.
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Kafka's evocations are, rather, unconscious and almost sub-archetypal, the little-kid stuff from which myths derive this is why we tend to call even his weirdest stories nightmarish rather than surreal.
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The parts of me that used to think I was different or smarter or whatever, almost made me die.
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It's probably hard to feel any sort of Romantic spiritual connection to nature when you have to make your living from it.
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The job of the first eight pages is not to have the reader want to throw the book at the wall, during the first eight pages.
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