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Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakes.

David Foster Wallace

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David Foster Wallace
Age: 45 †
Born: 1962
Born: February 21
Died: 2008
Died: February 12
Author
Essayist
Novelist
University Teacher
Writer
Ithica
New York
David Wallace
Nuclear
Consequence
Weapons
Simply
Upped
Intensified
Stakes
Tendencies
Consequences

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I'd like to be the sort of person who can enjoy things at the time, instead of having to go back in my head and enjoy them.
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Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.
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There are no choices without personal freedom, Buckeroo. It's not us who are dead inside. These things you find so weak and contemptible in us - these are just the hazards of being free.
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Everything I’ve ever let go of has claw marks on it.
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Kafka's evocations are, rather, unconscious and almost sub-archetypal, the little-kid stuff from which myths derive this is why we tend to call even his weirdest stories nightmarish rather than surreal.
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Te Occidere Possunt Sed Te Edere Non Possunt Nefas Est (They can kill you, but the legalities of eating you are quite a bit dicier).
David Foster Wallace
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If some people read my fiction and see it as fundamentally about philosophical ideas, what it probably means is that these are pieces where the characters are not as alive and interesting as I meant them to be.
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There's a grosser irony about Politically Correct English. This is that PCE purports to be the dialect of progressive reform but is in fact - in its Orwellian substitution of the euphemisms of social equality for social equality itself - of vastly more help to conservatives and the US status quo than traditional SNOOT prescriptions ever were.
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Does somebody have an explanation why there's human flesh on the hall window upstairs?
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Dieting makes me want to murder everyone around me.
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To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.
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I felt, as I became a later and later bloomer, alienated not just from my own recalcitrant glabrous little body but in a way from the whole elemental exterior I'd come to see as my co-conspirator.
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I'm very bright, but I'm terrified of sounding like someone who thinks he's very bright-because those people are assholes.
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I like the fans’ sound at night. Do you? It’s like somebody big far away goes like: it’sOKit’sOKit’sOKit’sOK, over and over. From very far away.
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I miss everyone. I can remember being young and feeling a thing and identifying it as homesickness, and then thinking well now that’s odd, isn’t it, because I was home, all the time. What on earth are we to make of that?
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It now lately sometimes seemed a black miracle to me that people could actually care deeply about a subject or pursuit, and could go on caring this way for years on end. Could dedicate their entire lives to it. It seemed admirable and at the same time pathetic. We are all dying to give our lives away to something, maybe.
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The severing of an established connection is exponentially more painful than the rejection of an attempted connection.
David Foster Wallace
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The job of the first eight pages is not to have the reader want to throw the book at the wall, during the first eight pages.
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I'm screaming for help and everybody's acting as if I'm singing Ethel Merman covers.
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The assumption that you everyone else is like you. That you are the world. The disease of consumer capitalism. The complacent solipsism.
David Foster Wallace