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Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
Every
Make
Ownership
Good
Responsible
Hold
Decision
Whether
Film
Take

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We live in a silly time, and people go to the movies to see something that they haven't seen before, and you have to promise to show them that. In a horrible way, you have to promise them a special effect.
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For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
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I'm totally anti-commercialism.
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I've never been to Harvard, I've never been to college, so I don't know what dorm life is like.
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You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
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When you go and you tell a studio and that it's an ensemble, that doesn't mean a lot to them. But, my hats off to Paramount and Warner Brothers, because when we told them that these were the kinds of people that we want to get, across the board, they were unbelieveably enthusiastic about it.
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Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
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I have demons you can't even imagine.
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Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time.
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In film, we sculpt time, we sculpt behavior and we sculpt light.
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I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.
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You know, I don't think I've ever listened to someone's commentary. Ever.
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Awards movies are normally sort of... life-affirming and noble. It's probably too much of an intellectual conceit and, you know, people don't like it when you don't lead the bad guy off in cuffs.
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I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.
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I learned just to be a belligerent asshole, which was really: You have to get what you need to get out of it. You have to fight for things you believe in, and you have to be smart about how you position it so that you don't just become white noise.
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People go to the movies to see things they haven’t seen before. Call me a radical.
David Fincher
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I was always interested in films that scar.
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I thought that the behavioral and some of the profiling stuff was interesting. The thing that I was most interested in, and the thing that we were really adament about, was let's get these guys who were there on tape, or in some kind of way, telling what happened. No one has really talked to them all.
David Fincher
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.
David Fincher