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I was always interested in films that scar.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
Scar
Films
Interested
Film
Always

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You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
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For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
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People always ask why I don't make independent movies. I do make independent movies - I just make them at Sony and Paramount.
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Perfume is pretty good because nobody has to hold the product by their face or use it.
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There are some movies I can watch over and over, never get sick of.
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You know, I don't think I've ever listened to someone's commentary. Ever.
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I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.
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Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.
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When you go and you tell a studio and that it's an ensemble, that doesn't mean a lot to them. But, my hats off to Paramount and Warner Brothers, because when we told them that these were the kinds of people that we want to get, across the board, they were unbelieveably enthusiastic about it.
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People go to the movies to see things they haven’t seen before. Call me a radical.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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And I love shooting football.
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People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.
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I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.
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Look, it's nice. I like the fact that critics liked this movie, but most of the movies that I've made, you'll find a handful of people that love it and more than a few other handfuls of people hate it. If I was invested in that, I would've given up long ago.
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In film, we sculpt time, we sculpt behavior and we sculpt light.
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Awards movies are normally sort of... life-affirming and noble. It's probably too much of an intellectual conceit and, you know, people don't like it when you don't lead the bad guy off in cuffs.
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I'm totally anti-commercialism.
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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.
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How do you shoot a 150-day movie? You shoot it one day at a time.
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