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I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
Going
Sort
Think
Movie
Thinking
Maybe
Sequences
People
Term
Sequence
Whatever
Title
Opportunity
Titles
Understand
Terms
Different
Stage

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Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
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I learned just to be a belligerent asshole, which was really: You have to get what you need to get out of it. You have to fight for things you believe in, and you have to be smart about how you position it so that you don't just become white noise.
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Awards movies are normally sort of... life-affirming and noble. It's probably too much of an intellectual conceit and, you know, people don't like it when you don't lead the bad guy off in cuffs.
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Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.
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You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
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People go to the movies to see things they haven’t seen before. Call me a radical.
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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.
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I'm totally anti-commercialism.
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My idea of professionalism is probably a lot of people's idea of obsessive.
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There are some movies I can watch over and over, never get sick of.
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It's a very American thing to hide away from death.
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If you read the good reviews you gotta read the bad reviews. I kind of think of it as like being a quarterback: you get way too much blame when it's bad and way too much credit when it's good.
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For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
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I learn the most from making my own mistakes.
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It's based not only on what it played like in the theater, but it's also knowing that certain things play differently in a home theater environment. You have different expectations when you're sitting with 700 people than when you're sitting with your friends or family. It's just a different world.
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Human beings are amazing at finding ways to waste their own time.
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I have demons you can't even imagine.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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A movie is made for an audience and a film is made for both the audience and the film-makers.
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I always say everyone was lucky enough to be in a Cate Blanchett movie.
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