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I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
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For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
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A movie is made for an audience and a film is made for both the audience and the film-makers.
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I've never been to Harvard, I've never been to college, so I don't know what dorm life is like.
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Human beings are amazing at finding ways to waste their own time.
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People always ask why I don't make independent movies. I do make independent movies - I just make them at Sony and Paramount.
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Perfume is pretty good because nobody has to hold the product by their face or use it.
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We live in a silly time, and people go to the movies to see something that they haven't seen before, and you have to promise to show them that. In a horrible way, you have to promise them a special effect.
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I learn the most from making my own mistakes.
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It's based not only on what it played like in the theater, but it's also knowing that certain things play differently in a home theater environment. You have different expectations when you're sitting with 700 people than when you're sitting with your friends or family. It's just a different world.
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Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.
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My idea of professionalism is probably a lot of people's idea of obsessive.
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You have the power to pause stuff and you have the power to go to the bathroom. You can do whatever you want in your own home. It's a much more relaxed thing. It's more like a book, it seems to me. That's kind of the way I watch movies.
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You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
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I learned just to be a belligerent asshole, which was really: You have to get what you need to get out of it. You have to fight for things you believe in, and you have to be smart about how you position it so that you don't just become white noise.
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People go to the movies to see things they haven’t seen before. Call me a radical.
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I was always interested in films that scar.
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I loved Luke Skywalker and I loved Darth Vader and I loved watching them work it out.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
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People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.
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