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I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
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Sequence
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It's a bad day when you don't get the work done that you need to get done or you don't get it done to the satisfaction.
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My idea of professionalism is probably a lot of people's idea of obsessive.
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I've never been to Harvard, I've never been to college, so I don't know what dorm life is like.
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You’ll find that the movie business is paid for by those mega movies. The movie business is paid for by Big Macs. By movies as product. Movie studios use that term “product” all the time. Product? You mean you have a lot of stories? No, we have a lot of product. You have stories.
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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.
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Look, it's nice. I like the fact that critics liked this movie, but most of the movies that I've made, you'll find a handful of people that love it and more than a few other handfuls of people hate it. If I was invested in that, I would've given up long ago.
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It's a very American thing to hide away from death.
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I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.
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I always say everyone was lucky enough to be in a Cate Blanchett movie.
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Human beings are amazing at finding ways to waste their own time.
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People go to the movies to see things they haven’t seen before. Call me a radical.
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When you go and you tell a studio and that it's an ensemble, that doesn't mean a lot to them. But, my hats off to Paramount and Warner Brothers, because when we told them that these were the kinds of people that we want to get, across the board, they were unbelieveably enthusiastic about it.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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There are some movies I can watch over and over, never get sick of.
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For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
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Awards movies are normally sort of... life-affirming and noble. It's probably too much of an intellectual conceit and, you know, people don't like it when you don't lead the bad guy off in cuffs.
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And I love shooting football.
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I want people to flourish. I want them to walk away from the experience going, That's what it should be like.
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You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
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People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.
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