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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
Wrong
Sometimes
Different
Trying
Freak
Going
Shoot
Something
Takes
Like
Looking
People
Start

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It's a very American thing to hide away from death.
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There are some movies I can watch over and over, never get sick of.
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You have the power to pause stuff and you have the power to go to the bathroom. You can do whatever you want in your own home. It's a much more relaxed thing. It's more like a book, it seems to me. That's kind of the way I watch movies.
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I'm totally anti-commercialism.
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People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.
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I was always interested in films that scar.
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For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.
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Look, it's nice. I like the fact that critics liked this movie, but most of the movies that I've made, you'll find a handful of people that love it and more than a few other handfuls of people hate it. If I was invested in that, I would've given up long ago.
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I thought that the behavioral and some of the profiling stuff was interesting. The thing that I was most interested in, and the thing that we were really adament about, was let's get these guys who were there on tape, or in some kind of way, telling what happened. No one has really talked to them all.
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Human beings are amazing at finding ways to waste their own time.
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I always say everyone was lucky enough to be in a Cate Blanchett movie.
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Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time.
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I learn the most from making my own mistakes.
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Perfume is pretty good because nobody has to hold the product by their face or use it.
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And I love shooting football.
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I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.
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How do you shoot a 150-day movie? You shoot it one day at a time.
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It's a bad day when you don't get the work done that you need to get done or you don't get it done to the satisfaction.
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When you go and you tell a studio and that it's an ensemble, that doesn't mean a lot to them. But, my hats off to Paramount and Warner Brothers, because when we told them that these were the kinds of people that we want to get, across the board, they were unbelieveably enthusiastic about it.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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