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I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
Think
Concern
Thinking
Technology
Humanity
Away
Ever
Human
Wholly
Humans
Digital
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Entirely

More quotes by David Fincher

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We live in a silly time, and people go to the movies to see something that they haven't seen before, and you have to promise to show them that. In a horrible way, you have to promise them a special effect.
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I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.
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How do you shoot a 150-day movie? You shoot it one day at a time.
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Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time.
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A movie is made for an audience and a film is made for both the audience and the film-makers.
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People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.
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I thought that the behavioral and some of the profiling stuff was interesting. The thing that I was most interested in, and the thing that we were really adament about, was let's get these guys who were there on tape, or in some kind of way, telling what happened. No one has really talked to them all.
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There are some movies I can watch over and over, never get sick of.
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It's a bad day when you don't get the work done that you need to get done or you don't get it done to the satisfaction.
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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.
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Look, it's nice. I like the fact that critics liked this movie, but most of the movies that I've made, you'll find a handful of people that love it and more than a few other handfuls of people hate it. If I was invested in that, I would've given up long ago.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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And I love shooting football.
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My idea of professionalism is probably a lot of people's idea of obsessive.
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You know, I don't think I've ever listened to someone's commentary. Ever.
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I was always interested in films that scar.
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The thing is, that great actors are everywhere. They're everywhere. They're doing good parts on television. They're doing television commercials. They're doing local theater. There are so few opportunities.
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People always ask why I don't make independent movies. I do make independent movies - I just make them at Sony and Paramount.
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It's a very American thing to hide away from death.
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I always say everyone was lucky enough to be in a Cate Blanchett movie.
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