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I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.

David Fincher

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David Fincher
Age: 62
Born: 1962
Born: May 10
Actor
Executive Producer
Film Director
Film Producer
Television Producer
Denver
Colorado
David Andrew Leo Fincher
Ever
Human
Wholly
Humans
Digital
Take
Entirely
Think
Concern
Thinking
Technology
Humanity
Away

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There are some movies I can watch over and over, never get sick of.
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People will say, 'There are a million ways to shoot a scene,' but I don't think so. I think there are two, maybe. And the other one is wrong.
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I learned just to be a belligerent asshole, which was really: You have to get what you need to get out of it. You have to fight for things you believe in, and you have to be smart about how you position it so that you don't just become white noise.
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I have demons you can't even imagine.
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When you go and you tell a studio and that it's an ensemble, that doesn't mean a lot to them. But, my hats off to Paramount and Warner Brothers, because when we told them that these were the kinds of people that we want to get, across the board, they were unbelieveably enthusiastic about it.
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You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
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You know, I don't think I've ever listened to someone's commentary. Ever.
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I was always interested in films that scar.
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Perfume is pretty good because nobody has to hold the product by their face or use it.
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And I love shooting football.
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Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, What did I do wrong?, and its like No. It's not wrong. It's just that we are going to try something different.
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Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time.
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I always say everyone was lucky enough to be in a Cate Blanchett movie.
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It's a very American thing to hide away from death.
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My idea of professionalism is probably a lot of people's idea of obsessive.
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Awards movies are normally sort of... life-affirming and noble. It's probably too much of an intellectual conceit and, you know, people don't like it when you don't lead the bad guy off in cuffs.
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Look, it's nice. I like the fact that critics liked this movie, but most of the movies that I've made, you'll find a handful of people that love it and more than a few other handfuls of people hate it. If I was invested in that, I would've given up long ago.
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In film, we sculpt time, we sculpt behavior and we sculpt light.
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Take ownership of every decision you make because you will be hold responsible for the film, whether good or bad.
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How do you shoot a 150-day movie? You shoot it one day at a time.
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