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You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred other good novelists or poets than by seeing another round of John Ford revivals.

David Denby

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David Denby
Age: 81
Born: 1943
Born: January 1
Film Critic
Journalist
Reporter
Writer
New York City
New York
Write
Round
Wallace
Another
Rounds
Tolstoy
Might
John
Ford
Bellow
Writing
Poet
Revival
Revivals
Much
Hundred
Shakespeare
Saul
Good
Seeing
Paul
Chandler
Reading
Novelists
Raymond
Learn
Poets
Stevens

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Mi-yammi! The extraordinary city, with its Judeo-Cubano population, its mix of surgical-appliance and sex-fetishist obsessions, takes the American melting pot past the boil. It represents pretty much everything Patrick J. Buchanan hates.
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Never throw fruit at someone who understands the theatrics of the situation better than you do.
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Entertaining the reader is a good function.
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The problem of criticism is not judgment but evocation - conveying the particular emotional and visual feel that the movie has.
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Art talk is punk. Let the movie do your speaking for you.
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Crash is hyper-articulate and often breathtakingly intelligent and always brazenly alive. I think it's easily the strongest American film since Clint Eastwood's Mystic River, though it is not for the fainthearted.
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The action comes at us through a buzz of nattering remarks.
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The greatest all-around American film actor is James Stewart.
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Corporate irony not only ridicules the thing it is selling but the very act of selling it. In the process it disarms critics by making anyone who goes against the flow of commerce seem clueless.
David Denby