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The problem of criticism is not judgment but evocation - conveying the particular emotional and visual feel that the movie has.

David Denby

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David Denby
Age: 81
Born: 1943
Born: January 1
Film Critic
Journalist
Reporter
Writer
New York City
New York
Emotional
Particular
Movie
Evocation
Problem
Conveying
Feel
Visuals
Feels
Visual
Criticism
Judgment

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You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred other good novelists or poets than by seeing another round of John Ford revivals.
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Crash is hyper-articulate and often breathtakingly intelligent and always brazenly alive. I think it's easily the strongest American film since Clint Eastwood's Mystic River, though it is not for the fainthearted.
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Art talk is punk. Let the movie do your speaking for you.
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The action comes at us through a buzz of nattering remarks.
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Corporate irony not only ridicules the thing it is selling but the very act of selling it. In the process it disarms critics by making anyone who goes against the flow of commerce seem clueless.
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The greatest all-around American film actor is James Stewart.
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Never throw fruit at someone who understands the theatrics of the situation better than you do.
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Entertaining the reader is a good function.
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