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Technology is us. There is no separation. It's a pure expression of human creative will. It doesn't exist anywhere else in the universe. I'm rather sure of that.

David Cronenberg

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David Cronenberg
Age: 81
Born: 1943
Born: March 15
Actor
Film Actor
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
City of Toronto
David Paul Cronenberg
David P. Cronenberg
David Cronenburg
Sure
Rather
Separation
Universe
Anywhere
Doesn
Exist
Else
Pure
Human
Expression
Humans
Technology
Creative

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I can't imagine a life without humor. Especially if you have an existential understanding of life, you must acknowledge the absurdity of it all.
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The desire to be loved is really death when it comes to art.
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Well I don't think sex and violence have ever stopped a movie from being mainstream.
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The filmmaking process is a very personal one to me, I mean it really is a personal kind of communication. It's not as though its a study of fear or any of that stuff.
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Of course for many years directors have had to go on the road with their movies and promote them and I've done that since the beginning. So that's not new but the forms of it are different such as with the internet.
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Art forms of the past were really considered elitist. Bach did not compose for the masses, neither did Beethoven. It was always for patrons, aristocrats, and royalty. Now we have a sort of democratic version of that, which is to say that the audience is so splintered in its interests.
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Everybody's a mad scientist, and life is their lab.
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Do you remember when you found out you wouldn't live forever? People don't talk about this, but everybody had to go through it because you're not born with that knowledge.
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Long live the new flesh.
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When I am creating art, I have absolutely no social responsibility. It's like dreaming.
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As a filmmaker, I ask questions but don't have answers. Moviemaking is a philosophical exploration. I invite the audience to come on the journey and discover what they think and feel.
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I'm just observing the world. I was born into it, like you were, and then I found out there were some really disturbing aspects to being alive, like the fact that you weren't going to be alive forever - that bothered me.
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I'm very anti-religious because religion tends to disembody you.
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If the audience lets that stuff wash over them, you know - almost like music, rather than dialogue - and doesn't fight it, then they'll have a much easier time rather than being sort of frustrated and confused otherwise. But if you get in the right state of mind it really does work quite well.
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But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be.
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I'm simply a nonbeliever and have been forever. ... I'm interested in saying, 'Let us discuss the existential question. We are all going to die, that is the end of all consciousness. There is no afterlife. There is no God. Now what do we do.' That's the point where it starts getting interesting to me.
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I have a real aversion to ghosts because I don't believe in them. I think ghosts are actually a religious concept, because it means you believe in an afterlife. And I don't.
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My understanding of life is very existential. I think that we are our bodies. There's nothing else, and when we die, that's it. No afterlife.
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It's impossible to make a movie out of 'Naked Lunch.' A literal translation just wouldn't work. It would cost $400 million to make and would be banned in every country of the world.
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Since I see technology as being an extension of the human body, it's inevitable that it should come home to roost.
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