Quote

Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.

David Cronenberg

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David Cronenberg
Age: 81
Born: 1943
Born: March 15
Actor
Film Actor
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
City of Toronto
David Paul Cronenberg
David P. Cronenberg
David Cronenburg
Making
Puppeteer
Even
Manipulating
Kind
Hitchcock
Think
Strings
Thinking
Jump
Liked
Control
Audience

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I'm just observing the world. I was born into it, like you were, and then I found out there were some really disturbing aspects to being alive, like the fact that you weren't going to be alive forever - that bothered me.
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Well I don't think sex and violence have ever stopped a movie from being mainstream.
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Everybody's a mad scientist, and life is their lab.
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My dentist said to me the other day: I've enough problems in my life, so why should I see your films?
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The desire to be loved is really death when it comes to art.
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Each kid has a different level of expertise and some of them are very raw and inexperienced and some are incredibly mature and experienced. So you just have to go with what they are rather than have some abstract technique that you're going to try to apply to them.
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Of course for many years directors have had to go on the road with their movies and promote them and I've done that since the beginning. So that's not new but the forms of it are different such as with the internet.
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At a certain point the audience shouldn't worry about catching every word and understanding every twist and turn, because at a certain point that's pretty much impossible.
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I'm very anti-religious because religion tends to disembody you.
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Art forms of the past were really considered elitist. Bach did not compose for the masses, neither did Beethoven. It was always for patrons, aristocrats, and royalty. Now we have a sort of democratic version of that, which is to say that the audience is so splintered in its interests.
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But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be.
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All romances end in tragedy. One of the key people in a romance becomes a monster sooner or later.
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Since I see technology as being an extension of the human body, it's inevitable that it should come home to roost.
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Long live the new flesh.
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You have to believe in God before you can say there are things that man was not meant to know. I don't think there's anything man wasn't meant to know. There are just some stupid things that people shouldn't do.
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As a filmmaker, I ask questions but don't have answers. Moviemaking is a philosophical exploration. I invite the audience to come on the journey and discover what they think and feel.
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Do you remember when you found out you wouldn't live forever? People don't talk about this, but everybody had to go through it because you're not born with that knowledge.
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I have a real aversion to ghosts because I don't believe in them. I think ghosts are actually a religious concept, because it means you believe in an afterlife. And I don't.
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Your'e seeing me develop, not only as a filmmaker if you've seen my earlier films, but you're seeing me kind of learn how to be a human, how my philosophy has evolved.
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The filmmaking process is a very personal one to me, I mean it really is a personal kind of communication. It's not as though its a study of fear or any of that stuff.
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