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I'm just wearing regular street clothes. Pretty much all the time. In the summertime, or when it gets warm out, shorts and sandals or something like that. Stuff that I don't mind getting a little sweaty.

David Byrne

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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
Artist
Blogger
Composer
Film Actor
Film Director
Film Producer
Film Score Composer
Guitarist
Music Journalist
Musician
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Little
Street
Much
Clothes
Sweaty
Mind
Streets
Sandals
Something
Gets
Summertime
Time
Pretty
Shorts
Like
Getting
Regular
Stuff
Wearing
Littles
Warm

More quotes by David Byrne

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Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.
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Sometimes it's a form of love just to talk to somebody that you have nothing in common with and still be fascinated by their presence.
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One knew in advance that life in New York would not be easy‚ but there were cheap rents in cold-water lofts without heat‚ and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
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A little touch of chaos and danger makes a city sexy.
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I've noticed a lot of younger artists have less fear of doing different sorts of things, whether it's various types of music, or gallery artists moving between video and sculpture and drawing.
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On a bike, being just slightly above pedestrian and car eye level, one gets a perfect view of the goings-on in one's own town.
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I don't think I have grand visions that I will never achieve.
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To some extent I happily don't know what I'm doing. I feel that it's an artist's responsibility to trust that.
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I think sometimes - not always - I write songs that are accessible.
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The idea of making music from an imaginary culture was to give ourselves a set of restrictions and parameters within which to work. Otherwise, we might have just gone on all kinds of creative detours, some of which might have been interesting. But better we confine ourselves to something.
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I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
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I find rebellion packaged by a major corporation a little hard to take seriously.
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Punk. . .was more a kind of do-it-yourself, anyone-can-do-it attitude. If you only played two notes on the guitar, you could figure out a way to make a song out of that, and that's what it was all about.
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Singing is a trick to get people to listen to music for longer than they would ordinarily.
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We've gone through the urban renewal cycle in the '60s and '70s that really did a lot of damage to the fabric of urban life - neighborhoods bulldozed and highways pushed through, and all that kind of stuff that really destroyed the kind of social underpinning and the kind of mom and pop stores and all the stuff that makes a community viable.
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I resent the implication that I'm less of a musician and a worse person for not appreciating certain works.
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Everything's intentional. It's just filling in the dots.
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There are a lot of people that don't scour websites regularly or read music reviews. They need whatever, the other kinds of stuff, whether it's an appearance on Lettterman or posters or ads. They need to kind of be hit more in the face and be told that there's something new out there.
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I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.
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The imminent demise of the large record companies as gatekeepers of the world's popular music is a good thing, for the most part.
David Byrne