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Punk. . .was more a kind of do-it-yourself, anyone-can-do-it attitude. If you only played two notes on the guitar, you could figure out a way to make a song out of that, and that's what it was all about.

David Byrne

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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
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Guitarist
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More quotes by David Byrne

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There are plenty of people who are, I think, completely racist who love hip-hop.
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People are renovating places and opening ambitious new venues. That's one thing that music does. It gets people out of their houses, and gets them hanging out together.
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Well, Marx is having a comeback. I hear him mentioned a lot in terms of the global financial situation and the general sense of injustice out there. A lot of economic experts in America refer to him without actually using the M word, but he's around.
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As I define it, rock and roll is dead. The attitude isn't dead, but the music is no longer vital. It doesn't have the same meaning. The attitude, though, is still very much alive - and it still informs other kinds of music.
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People in Latin America... love America from afar and emulate America in some ways but also hate a lot of things that America does to them.
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On a bike, being just slightly above pedestrian and car eye level, one gets a perfect view of the goings-on in one's own town.
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I think that if they want people to listen to ten or twelve songs, they have to give the listener a reason to listen to ten or twelve songs or to buy ten or twelve and listen to the whole thing instead of just pulling one or two for their iPod or their computer.
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There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
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Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.
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I don't believe that crime, danger and poverty make for good art. That's bullshit.
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I have trouble imagining what I could do that's beyond the practicality of what I can do.
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The imminent demise of the large record companies as gatekeepers of the world's popular music is a good thing, for the most part.
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There are a lot of people that don't scour websites regularly or read music reviews. They need whatever, the other kinds of stuff, whether it's an appearance on Lettterman or posters or ads. They need to kind of be hit more in the face and be told that there's something new out there.
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People use irony as a defense mechanism.
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A little touch of chaos and danger makes a city sexy.
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To some extent I happily don't know what I'm doing. I feel that it's an artist's responsibility to trust that.
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Schools are for training people how to listen to other people.
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I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.
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It seems almost backwards to me that my music seems the more emotional outlet, and the art stuff seems more about ideas.
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As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.
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