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The imminent demise of the large record companies as gatekeepers of the world's popular music is a good thing, for the most part.
David Byrne
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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
Artist
Blogger
Composer
Film Actor
Film Director
Film Producer
Film Score Composer
Guitarist
Music Journalist
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World
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Record
Records
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Gatekeepers
Part
Imminent
Music
Demise
Thing
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Companies
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People use irony as a defense mechanism.
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Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.
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Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.
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I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.
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Artists are notoriously snooty and suspicious of anything coming from the business community.
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When everything is visible and appears to be dumb, that's when the details take on larger meanings.
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Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.
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A little touch of chaos and danger makes a city sexy.
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Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job
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Body odor is the window to the soul.
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The idea of making music from an imaginary culture was to give ourselves a set of restrictions and parameters within which to work. Otherwise, we might have just gone on all kinds of creative detours, some of which might have been interesting. But better we confine ourselves to something.
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You create a community with music, not just at concerts but by talking about it with your friends.
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There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
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I think that if they want people to listen to ten or twelve songs, they have to give the listener a reason to listen to ten or twelve songs or to buy ten or twelve and listen to the whole thing instead of just pulling one or two for their iPod or their computer.
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As I define it, rock and roll is dead. The attitude isn't dead, but the music is no longer vital. It doesn't have the same meaning. The attitude, though, is still very much alive - and it still informs other kinds of music.
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We are like the birds. We adapt. We sing.
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The Heads were the only band on that scene that had a groove.
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I try to write about small things. Paper, animals, a house... love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.
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There's more good music being made now than ever before.
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You can know or not know how a car runs and still enjoy riding in a car.
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