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The imminent demise of the large record companies as gatekeepers of the world's popular music is a good thing, for the most part.
David Byrne
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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
Artist
Blogger
Composer
Film Actor
Film Director
Film Producer
Film Score Composer
Guitarist
Music Journalist
Musician
Photographer
World
Large
Record
Records
Company
Gatekeepers
Part
Imminent
Music
Demise
Thing
Popular
Good
Companies
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When you fall in love, you feel like a missing piece of a puzzle that's been found.
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There's a pervasive feeling that when somebody sings a song and records a song on a record, that it's their true feeling.
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Is giving in to the photographer's presumably natural impulse to compose and light well sometimes okay and not okay other times?
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You create a community with music, not just at concerts but by talking about it with your friends.
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When we started, a lot of bands sounded really different from one another.
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There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
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When everything is worth money, then money is worth nothing.
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I think that if they want people to listen to ten or twelve songs, they have to give the listener a reason to listen to ten or twelve songs or to buy ten or twelve and listen to the whole thing instead of just pulling one or two for their iPod or their computer.
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It's not music you would use to get a girl into bed. If anything, you're going to frighten her off.
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As I define it, rock and roll is dead. The attitude isn't dead, but the music is no longer vital. It doesn't have the same meaning. The attitude, though, is still very much alive - and it still informs other kinds of music.
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I think sometimes - not always - I write songs that are accessible.
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Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.
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A little touch of chaos and danger makes a city sexy.
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We are like the birds. We adapt. We sing.
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I'm just wearing regular street clothes. Pretty much all the time. In the summertime, or when it gets warm out, shorts and sandals or something like that. Stuff that I don't mind getting a little sweaty.
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There's more good music being made now than ever before.
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Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.
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