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Physical contact is a human necessity.
David Byrne
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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
Artist
Blogger
Composer
Film Actor
Film Director
Film Producer
Film Score Composer
Guitarist
Music Journalist
Musician
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Necessity
Contact
Physical
Human
Humans
More quotes by David Byrne
It's like 60 Minutes on acid.
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Why not invest in the future of music, instead of building fortresses to preserve its past?
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You may say to yourself: Well, how did I get here?
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I try never to wear my own clothes, I pretend I'm someone else
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Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.
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Interviewer: If I gave you fifty dollars, right now, what would you do with it?David Byrne: I would get something to eat.
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I wave to the double-decker buses from my bike, but the passengers never wave back. Why? Am I not an attraction?
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People use irony as a defense mechanism.
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It's more about the stuff you think about when you're getting from place to place on a bicycle than it is about actually riding the bicycle.
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When everything is visible and appears to be dumb, that's when the details take on larger meanings.
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There's more good music being made now than ever before.
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Singing is a trick to get people to listen to music for longer than they would ordinarily.
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There's a pervasive feeling that when somebody sings a song and records a song on a record, that it's their true feeling.
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The voting booth joint is a great leveler the whole neighborhood - rich, poor, old, young, decrepit and spunky - they all turn out in one day.
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The idea of making music from an imaginary culture was to give ourselves a set of restrictions and parameters within which to work. Otherwise, we might have just gone on all kinds of creative detours, some of which might have been interesting. But better we confine ourselves to something.
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People hear about stuff from their friends or a magazine or a newspaper.
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I think sometimes - not always - I write songs that are accessible.
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Schools are for training people how to listen to other people.
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Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.
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I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
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