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I subscribe to the myth that an artist's creativity comes from torment. Once that's fixed, what do you draw on?
David Byrne
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David Byrne
Age: 119
Born: 1905
Born: May 6
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More quotes by David Byrne
The world isn't logical, it's a song.
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There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
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The most common music that you hear anywhere in the world now basically has its roots in that union that happened in the last century, or in the century before that. That kind of music that's groove or beat oriented just didn't exist in lots of cultures before that.
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Yeah, anybody can go in with two turntables and a microphone or a home studio sampler and a little cassette deck or whatever and make records in their bedrooms.
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Software constraints are only confining if you use them for what they're intended to be used for.
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Punk was defined by an attitude rather than a musical style.
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One knew in advance that life in New York would not be easy‚ but there were cheap rents in cold-water lofts without heat‚ and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
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The assumption is that your personal life has to be a mess to create, but how much chaos can you allow in before it takes over?
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I don't care how impossible it seems.
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Having unlimited choices can paralyze you creatively.
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Rich people will travel great distances to look at poor people.
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When you fall in love, you feel like a missing piece of a puzzle that's been found.
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The idea of making music from an imaginary culture was to give ourselves a set of restrictions and parameters within which to work. Otherwise, we might have just gone on all kinds of creative detours, some of which might have been interesting. But better we confine ourselves to something.
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Frank Lloyd Wright... his things were beautiful but not very functional.
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I find rebellion packaged by a major corporation a little hard to take seriously.
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I'm just wearing regular street clothes. Pretty much all the time. In the summertime, or when it gets warm out, shorts and sandals or something like that. Stuff that I don't mind getting a little sweaty.
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London's tempo is 122.86 beats per minute.
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I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
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I'm afraid that everything will get homogenized and be the same
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I think sometimes I get carried away, like I'm speaking to an imaginary audience rather than just trying to figure something out for myself. Ideally, I try to balance that - that I'm asking these questions of myself, how does this work, why does this happen, what's going on here.
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