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I find rebellion packaged by a major corporation a little hard to take seriously.

David Byrne

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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
Artist
Blogger
Composer
Film Actor
Film Director
Film Producer
Film Score Composer
Guitarist
Music Journalist
Musician
Photographer
Littles
Uprising
Find
Corporation
Rebellion
Little
Corporations
Take
Seriously
Hard
Majors
Major
Reality
Packaged

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It seems almost backwards to me that my music seems the more emotional outlet, and the art stuff seems more about ideas.
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One knew in advance that life in New York would not be easy‚ but there were cheap rents in cold-water lofts without heat‚ and the excitement of being here made up for those hardships. I didn't move to New York to make a fortune.
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Body odor is the window to the soul.
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Do I wear a helmet? Ugh. I do when I'm riding through a precarious part of town, meaning Midtown traffic. But when I'm riding on secure protected lanes or on the paths that run along the Hudson or through Central Park - no, I don't wear the dreaded helmet then.
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From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.
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A lot of that worked itself out in the recording.
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I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.
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We've gone through the urban renewal cycle in the '60s and '70s that really did a lot of damage to the fabric of urban life - neighborhoods bulldozed and highways pushed through, and all that kind of stuff that really destroyed the kind of social underpinning and the kind of mom and pop stores and all the stuff that makes a community viable.
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On a bike, being just slightly above pedestrian and car eye level, one gets a perfect view of the goings-on in one's own town.
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I read the NY Times but I don't trust all of it
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There are plenty of people who are, I think, completely racist who love hip-hop.
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We live in ugly times.
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I've been asking myself: 'Why put together these things - CDs, albums?' The answer I came up with is, well, sometimes it's artistically viable. It's not just a random collection of songs. Sometimes the songs have a common thread, even if it's not obvious or even conscious on the artists' part.
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I'm just an advertisement for a version of myself.
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It's not music you would use to get a girl into bed. If anything, you're going to frighten her off.
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I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.
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I try to write about small things. Paper, animals, a house... love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.
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As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.
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Most of our lives aren't that exciting, but the drama is still going on in the small details.
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Physical contact is a human necessity.
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