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I find rebellion packaged by a major corporation a little hard to take seriously.

David Byrne

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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
Artist
Blogger
Composer
Film Actor
Film Director
Film Producer
Film Score Composer
Guitarist
Music Journalist
Musician
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Majors
Major
Reality
Packaged
Littles
Uprising
Find
Corporation
Little
Rebellion
Take
Corporations
Hard
Seriously

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I have trouble imagining what I could do that's beyond the practicality of what I can do.
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People in Latin America... love America from afar and emulate America in some ways but also hate a lot of things that America does to them.
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I don't care how impossible it seems.
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I'd been keeping tour diaries, and especially when I go somewhere where I felt the experience might be interesting, like Eastern Europe or South America or whatever, where the whole perception of what I was doing there and stuff that I was seeing and music I was hearing, I could put all that into a diary.
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We've gone through the urban renewal cycle in the '60s and '70s that really did a lot of damage to the fabric of urban life - neighborhoods bulldozed and highways pushed through, and all that kind of stuff that really destroyed the kind of social underpinning and the kind of mom and pop stores and all the stuff that makes a community viable.
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I'm afraid that everything will get homogenized and be the same
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Real sadness is such an all-encompassing intense thing that it takes you out of your humdrum existence. If you can still function, you want to show it while it's peaking. So when people tell you to cheer up, it's not always the best thing.
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I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
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When everything is worth money, then money is worth nothing.
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I think sometimes - not always - I write songs that are accessible.
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There are plenty of people who are, I think, completely racist who love hip-hop.
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There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
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There's still a feeling that uncensored emotions make a good song. They don't. Pure emotion is just somebody screaming at you, or crying. It doesn't communicate anything.
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