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I didn't have any agenda or plan when I started writing stuff.

David Byrne

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David Byrne
Age: 119
Born: 1905
Born: May 6
Actor
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Software constraints are only confining if you use them for what they're intended to be used for.
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I can't tell one from the other:I find you or you find me?There was a time before we were born If someone asks, this is where I'll be.
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There's something about music that encourages people to want to know more about the person that made it, and where it was recorded, what year it was done, what they were listening to, and all this kind of stuff. There's something that invites all this obsessive behavior.
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I don't believe that crime, danger and poverty make for good art. That's bullshit.
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Probably the reason it's a little hard to break away from the album format completely is, if you're getting a band together in the studio, it makes financial sense to do more than one song at a time. And it makes more sense, if you're going to all the effort of performing and doing whatever else, if there's a kind of bundle.
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I've been asking myself: 'Why put together these things - CDs, albums?' The answer I came up with is, well, sometimes it's artistically viable. It's not just a random collection of songs. Sometimes the songs have a common thread, even if it's not obvious or even conscious on the artists' part.
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Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job
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There are plenty of people who are, I think, completely racist who love hip-hop.
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Physical contact is a human necessity.
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I have trouble imagining what I could do that's beyond the practicality of what I can do.
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I'm just wearing regular street clothes. Pretty much all the time. In the summertime, or when it gets warm out, shorts and sandals or something like that. Stuff that I don't mind getting a little sweaty.
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From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.
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A lot of people, musically anyway, have realized that they can do it, and there's an audience for it at least in their own country, and often thought a lot of countries have a diaspora that breaks out all over the place, so they have a pretty wide audience.
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I think that if they want people to listen to ten or twelve songs, they have to give the listener a reason to listen to ten or twelve songs or to buy ten or twelve and listen to the whole thing instead of just pulling one or two for their iPod or their computer.
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I'm afraid that everything will get homogenized and be the same
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I think sometimes - not always - I write songs that are accessible.
David Byrne
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I read the NY Times but I don't trust all of it
David Byrne
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I think sometimes I get carried away, like I'm speaking to an imaginary audience rather than just trying to figure something out for myself. Ideally, I try to balance that - that I'm asking these questions of myself, how does this work, why does this happen, what's going on here.
David Byrne
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Often I don't know what the song means until it's finished. Sometimes months later. I don't think that's bad. It implies that I don't know what I'm doing but-I think if you're able to follow your instincts, then that's knowing what you're doing.
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I don't think I have grand visions that I will never achieve.
David Byrne