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Who'll love Aladdin Sane? Battle cries and champagne just in time for sunrise.

David Bowie

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David Bowie
Age: 69 †
Born: 1947
Born: January 8
Died: 2016
Died: January 10
Actor
Composer
Film Actor
Guitarist
Manufacturer
Mime Artist
Music Video Director
Musician
Occultist
Painter
Pianist
Record Producer
David Robert Jones
David Jones
Bowie
Davy Jones
Thin White Duke
Halloween Jack
Cry
Battle
Time
Love
Aladdin
Cries
Champagne
Sunrise
Sane

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All the great mystical religions put a strong emphasis on the redeeming qualities of sex.
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I want people to hear musicians like Joe Cuba. He has done things to whole masses of Puerto Rican people. The music is fantastic and important.
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Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
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And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
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At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.
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There's just some dysfunctionalism with artists. There are good things and bad things about being an artist, and the good thing is, sometimes you get an inside line on what's really happening. You develop these strange antennae that clue you in to what's really going on.
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Actually, my ambition at eight or nine years old was to be one of Little Richard's sax players, and that's when I got my first saxophone, a Selmer. It was a strange Bakelite material - that creamy plastic with all the gold keys on it. I had to get a job as a butcher's delivery boy to start paying for it.
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Wham, bam, thank you Ma'am.
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We see each other [ with Iman Abdulmajid] a lot. I couldn't stand to be separated for months. It became quickly apparent to me that I needed to find a balance between my absolute work obsession and a private life that we could share without my disappearing all the time.
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Since the departure of good old-fashioned entertainers the re-emergence of somebody who wants to be an entertainer has unfortunately become a synonym for camp. I don't think I'm camper than any other person who felt at home on stage, and felt more at home on stage than he did offstage.
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Make the best of every moment. We're not evolving. We're not going anywhere.
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I really floated around in the '60s, because I felt comfortable with nothing.
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It was fun to be clever.
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Questioning my spiritual life has always been germane to what I was writing. Always. It's because I'm not quite an atheist and it worries me. There's that little bit that holds on: 'Well, I'm almost an atheist. Give me a couple of months.'
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Always drawn to the theatric, Bowie also performed in stage productions of The Elephant Man and just recently collaborated on Lazarus, an off-Broadway musical that's a sequel to his 1976 role in the film The Man Who Fell To Earth.
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There's something about the style of living in the country that they feel, This is what represents me. So style is about the philosophy of how we create our civilization.
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When I was going through those very fast changes, I think it was terribly important to me that I was seen to be inventive. I think that was the characteristic of my work that I wanted people to see.
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I think much has been made of this alter ego business. I mean, I actually stopped creating characters in 1975 - for albums, anyway.
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I woke up one day and realized I was a closet hetero
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