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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

David Antin

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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Taste
Allan
Gives
Brecht
Common
Underlying
Use
Precision
Giving
Performers
Something
Script
Think
George
Thinking
Scripts

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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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From this entertainment industry, may the gods of language protect us.
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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Stories are different every time you tell them - they allow so many possible narratives.
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I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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My mother turned into a professional widow. She couldnt understand why I wanted to be an engineer she thought I should be a chicken farmer.
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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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My way of thinking is very particular and concrete. It doesn't follow a continuous path.
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Children frequently sing meaningful phrases to themselves over and over again before they learn to make a distinction between singing and saying.
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You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.
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There are editing procedures for talks just as there are editing procedures in jazz improvisation.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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