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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

David Antin

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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Use
Precision
Giving
Performers
Something
Script
Think
George
Thinking
Scripts
Taste
Allan
Gives
Brecht
Common
Underlying

More quotes by David Antin

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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
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Children frequently sing meaningful phrases to themselves over and over again before they learn to make a distinction between singing and saying.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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There are editing procedures for talks just as there are editing procedures in jazz improvisation.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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My way of thinking is very particular and concrete. It doesn't follow a continuous path.
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While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.
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I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
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I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.
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From this entertainment industry, may the gods of language protect us.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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