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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.
David Antin
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David Antin
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the United States of America
David Abraham Antin
David Abram Antin
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More quotes by David Antin
I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
David Antin
While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
David Antin
From this entertainment industry, may the gods of language protect us.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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Stories are different every time you tell them - they allow so many possible narratives.
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My mother turned into a professional widow. She couldnt understand why I wanted to be an engineer she thought I should be a chicken farmer.
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I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
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There are editing procedures for talks just as there are editing procedures in jazz improvisation.
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My way of thinking is very particular and concrete. It doesn't follow a continuous path.
David Antin