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When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.

David Antin

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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Experience
Differently
Seems
Develop
Kind
Seem
Grow
Fluency
Grows
Colored
Though
Casual
Family
Transparent
Language
Languages

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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.
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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
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From this entertainment industry, may the gods of language protect us.
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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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