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When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.

David Antin

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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Though
Casual
Family
Transparent
Language
Languages
Experience
Differently
Seems
Develop
Kind
Seem
Grow
Fluency
Grows
Colored

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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.
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I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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