Quote

When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.

David Antin

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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Language
Languages
Experience
Differently
Seems
Develop
Kind
Seem
Grow
Fluency
Grows
Colored
Though
Casual
Family
Transparent

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I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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From this entertainment industry, may the gods of language protect us.
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My mother turned into a professional widow. She couldnt understand why I wanted to be an engineer she thought I should be a chicken farmer.
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I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.
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You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.
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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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Children frequently sing meaningful phrases to themselves over and over again before they learn to make a distinction between singing and saying.
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Stories are different every time you tell them - they allow so many possible narratives.
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My way of thinking is very particular and concrete. It doesn't follow a continuous path.
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I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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