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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
David Antin
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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
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More quotes by David Antin
There are editing procedures for talks just as there are editing procedures in jazz improvisation.
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From this entertainment industry, may the gods of language protect us.
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I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
David Antin
My mother turned into a professional widow. She couldnt understand why I wanted to be an engineer she thought I should be a chicken farmer.
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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
David Antin
When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.
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While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.
David Antin
For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
David Antin
The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
David Antin
I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
David Antin
I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
David Antin
My way of thinking is very particular and concrete. It doesn't follow a continuous path.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.
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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
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Stories are different every time you tell them - they allow so many possible narratives.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
David Antin
I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
David Antin