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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
David Antin
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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Mouths
Novel
Somebody
Else
Character
Hard
Hostage
Mouth
More quotes by David Antin
I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
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There are editing procedures for talks just as there are editing procedures in jazz improvisation.
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From this entertainment industry, may the gods of language protect us.
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Stories are different every time you tell them - they allow so many possible narratives.
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My way of thinking is very particular and concrete. It doesn't follow a continuous path.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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Children frequently sing meaningful phrases to themselves over and over again before they learn to make a distinction between singing and saying.
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When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.
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I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
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You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.
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I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.
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