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It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.
David Antin
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David Antin
Art Critic
Performance Artist
Poet
Writer
the United States of America
David Abraham Antin
David Abram Antin
Mouth
Mouths
Novel
Somebody
Else
Character
Hard
Hostage
More quotes by David Antin
I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
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My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
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I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
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While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.
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I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.
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I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
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From this entertainment industry, may the gods of language protect us.
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The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the muse to help them remember.
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My mother turned into a professional widow. She couldnt understand why I wanted to be an engineer she thought I should be a chicken farmer.
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My way of thinking is very particular and concrete. It doesn't follow a continuous path.
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I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.
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Stories are different every time you tell them - they allow so many possible narratives.
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An art machine is a system whose parts when put in motion act upon each other in such a way as to cause you to see things differently
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Children frequently sing meaningful phrases to themselves over and over again before they learn to make a distinction between singing and saying.
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When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.
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There are editing procedures for talks just as there are editing procedures in jazz improvisation.
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For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.
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I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.
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I'm not sure what theory is, unless it's the pursuit of fundamental questions.
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The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.
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