Quote

Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.

Dave Grohl

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Dave Grohl
Age: 55
Born: 1969
Born: January 14
Drummer
Film Director
Guitarist
Musician
Singer
Singer-Songwriter
Warren
Ohio
David Eric Grohl
Learning
Play
Microphone
Important
Microphones
Thing
Craft
People
Crafts
Instrument
Instruments
Singing

More quotes by Dave Grohl

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There's something about pulling out a real tape from a shelf and looking at it and knowing that 'Everlong' is on it, or 'Best of You' is on it, and it's really special.
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It's not until recently that I could even imagine myself as an adult. But these kids today, they look at me like I'm Neil Young. Nirvana is the band their parents listen to.
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A place like Sound City, which was just a big, beautiful room where you would hit record and capture the sound of the performer - a place like that isn't necessarily in demand anymore.
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A long time ago, I made a promise to myself: Okay, you know what? I'm going to play music, and hopefully I'll make enough money that I can go back to school. Once I make enough money to put myself through school, that's what I'm going to do.
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Mick Fleetwood was one of my first interviews. And if you've ever talked to that dude, he's the sweetest guy in the world - he's just a trip.
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That’s one of the great things about music. You can sing a song to 85,000 people and they’ll sing it back for 85,000 different reasons.
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At school where you a dunce or a teacher's pet? All of the above. I was stupid so they thought I was cute.
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There weren't a lot of career opportunities in crazy-fast hardcore punk, so you didn't have a lot of ambition, just the love and passion to play music with your friends.
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I'm not allergic to fashion. I'm just one of those people who when they put on a suit look like they're going to a funeral or to court.
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It's terrifying to play your favorite band's song in front of your favorite band.
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My whole life, I have listened to people like Neil Young, or Crosby, Stills & Nash, and artists that have made a career out of the mellow, folky, acoustic dynamic.
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To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.
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A lot of the records you buy, there's nothing you can hold in your hand, it's all 1′s and 0′s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.
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Joining a band without ever having really met the people before, you just want to be musically powerful.
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When you have kids, you see life through different eyes. You feel love more deeply and are maybe a little more compassionate. It's inevitable that that would make its way into your songwriting.
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I'm not into albums that are meant to sound perfect.
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My first instrument was actually the trombone, but that didn't last long. Soon I was playing guitar in bands from the time I was 11 or 12.
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There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.
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All I really had was a suitcase and my drums. So I took them up to Seattle and hoped it would work.
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When it comes to making an album I take that very seriously. I am meticulous, overworked. That's my time to put everything under the microscope.
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